#BRIDGET JONES DIARY EDGE OF REASON JANE AUSTEN MOVIE#
If the viewer watches this movie with open heart and without expectations and comparisons with "Bridget Jones's Diary", I believe he or she may like it as I did. Further, the pop soundtrack with many hits is great. However, this excellent actress makes the movie a worthwhile entertainment with her charismatic and lovely performance. There are many funny moments, but also weak parts in the plot, and Colin Firth shows no chemistry with Renée Zellweger. The sequel of "Bridget Jones's Diary" is very irregular and not so good as the original movie. Bridget travels to Thailand with Daniel Cleaver (Hugh Grant) to shoot a show, and she gets involved in a serious international incident, and is saved by Mark. In London, the clumsy, fat and insecure Bridget Jones (Renée Zellweger) is in love with the human rights lawyer Mark Darcy (Colin Firth), but they break their commitment due to her jealousy. Overall, disappointing and a big step down but not without its redeeming merits.
The music doesn't work here, too randomly placed, the songs not as well chosen and inferior in quality and actually feeling annoying. Despite it not being the case, being the same director as the previous film except then it was hard to believe it was a debut, you'd think that it was the opposite here because the direction actually felt inexperienced. The drama is too sentimentalised and lacks any poignancy and the romantic parts are severely lacking in warmth. The comedy is too far and between and feels too much of before without any of the things that worked so well in 'Bridget Jones's' Diary'. It's more tedious than bright and breezy, and fails as a comedy, drama and romance. Story is just as problematic, the situations are much more contrived and reek of predictability without any freshness or charm. Whereas there was a perfect balance before of the extremely funny and the slightly tiresome this balance goes way too far in the latter. The jokes are too recycled and more of the same, with more contrivance and ridiculous silliness than fun or sparkle, and a lot of the script is very weak with lines this time round that makes one cringe. However, Bridget is far too much of a parody and a butt of the joke here, making it, for all of Zellwegger's good efforts, difficult to feel sorry for or feel pity towards her. Hugh Grant still plays his caddish character with smarmy charm, while Colin Firth is understated and likable in a role tailor-made for him, practically as if it was written with him in mind. Renee Zellwegger's performance is not as good here, but her accent is still game and she does try to bring out the funny, adorably awkward and sympathetic sides of her character when the material allows it.
Regarding the cast, they do do well with what they are given, although their material is nowhere near as good they are hardly slumming it and do try to be true to how they were previously. There are a few amusing moments, but they are too far and between. 'Bridget Jones: The Edge of Reason' is attractive visually in a film that doesn't require epic sweeping cinematography or opulence, but still manages to be beautifully shot, cohesively edited and have striking locations. Always try and judge sequels on their own terms and try not to compare, but it is hard not to when there is such a significant drop in quality, of which 'Bridget Jones: The Edge of Reason' is a big step down. It is not as terrible as many have said and there are far worse sequels around, at least it has things that salvage it from being worse, but what worked so well in 'Bridget Jones's' Diary' didn't here. My feelings after 'Bridget Jones: The Edge of Reason' were that of real disappointment. On the other hand, was more than willing to give 'Bridget Jones: The Edge of Reason' the benefit of the doubt, considering the same people were on board, cast and crew, who did such a great job in 'Bridget Jones's' Diary. Admittedly, did question the point of it and was worried as to whether it would be as good considering the general reputation of sequels (though there are a lot of exceptions that are as good and nearly better). When hearing that there was a sequel, there were mixed feelings. It didn't cover much new ground and didn't break any conventions, but it was warm, charming, hugely funny and sometimes poignant, with a great cast. It had a lot going for it, and succeeded on almost every level. 'Bridget Jones's Diary' was an immensely enjoyable film.
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